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Landscape with a Rainbow
Painting ID:: 28340
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Peter Paul Rubens
Landscape with a Rainbow
mk60
Oil on canvas
transferred from panel
34x51"
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The Stone Carters
Painting ID:: 28454
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Peter Paul Rubens
The Stone Carters
mk60
ca.1620
Oil on canvas
tranferred from panel
34x50"
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The Garden of Love
Painting ID:: 28512
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Peter Paul Rubens
The Garden of Love
mk61
c.1630
Detail
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Helene Fourment and her Eldest Son Frans
Painting ID:: 28618
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Peter Paul Rubens
Helene Fourment and her Eldest Son Frans
c 1635
Oil on wood 146 x 102 cm
Munich Alte Pinakothek Bayrische Staats-Gemaldesammlungen (mk64)
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The Death of Seneca
Painting ID:: 28712
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Peter Paul Rubens
The Death of Seneca
mk61
c.1615
Oil on panel
184x155cm
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Peter Paul Rubens
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Flemish Baroque Era Painter, 1577-1640
Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.
In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England.
Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635.
His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems.
His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women. |
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Related Artists::.
| Ion Theodorescu Sion | Martin Johann Schmidt | John Vanderlyn | |
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